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Morgan spent one thing like sixty million dollars on art, most of which he donated to the Metropolitan Museum of Art, of which he was the chairman. On the other hand, Morgan was shopping for Old Masters (he was the drive behind the 1909 tax regulation exempting “historic art” which Quinn got rewritten), whereas Quinn was buying work that almost nobody else wanted. From the viewpoint of the American art world, the unimaginable collection he amassed, containing works by, amongst others, Brâncuși, Braque, Duchamp, Gris, Matisse, Picasso, Rousseau, Seurat, …